# / . 4 % 8 4 - ! 2 # ( X CM X CM AS A @BLANK CANVAS IN WHICH TO CREATE A REPRESENTATION OF THEIR MEMORIES 4HEY COULD REPRESENT WHATEVER MEMORY THEY CHOSE WHATEVER ASPECT OF THEIR PAST THAT THEY WANTED TO SHARE 4HEY HAD THE FREEDOM TO USE ANY MEDIUM FROM LINING THE BLOCK WITH PICTURES OR PHOTOGRAPHS PLACING SCULPTURE OBJECTS OR WRITING WITHIN IT OR PLACING A WALKMAN INSIDE WITH EARPHONES COMING OUT PLAYING MUSIC OR ORAL HISTORY 4HE MEMORY BLOCKS THAT PEOPLE MADE SURPASSED ALL EXPECTATIONS &ROM YEAR OLD !FRO #ARIBBEAN GIRLS TO THE ELDERS OF THE #HINESE COMMUNITY FROM 3OMALI WOMEN TO THE KIDS FROM THE -ARYBONE 9OUTH #ENTRE THE ART THEY MADE TOUCHED ON ALL ASPECTS OF MEMORY AND THE PAST WITH BEAUTY AND PATHOS &ROM RECREATING THE BEST HOLIDAY OF THEIR LIVES TO LOOKING AT ,IVERPOOL S HISTORY AS A CENTRE OF THE SLAVE TRADE FROM REPRESENTING REMEMBERED IMAGES OF A 3OMALI HOMELAND TO THE PARK WHERE THEY HUNG OUT AS TEENAGERS THE BOXES SHOW WHAT HISTORY MEANS FROM A VERY PERSONAL PERSPECTIVE !N EXHIBITION CREATED FROM ALL THE MEMORY BLOCKS OPENED AT THE "LACKIE A LARGE COMMUNITY ARTS CENTRE IN THE CENTRE OF ,IVERPOOL IN $ECEMBER AND MOVED TO THE -USEUM OF ,IVERPOOL ,IFE PART OF .ATIONAL -USEUMS AND 'ALLERIES IN -ERSEYSIDE IN -ARCH 4HE BLOCKS HAVE BEEN USED TO CREATE WALLS SHAPES AND STRUCTURES SYMBOLISING THE FACT THAT A CITY IS BUILT ON ITS MEMORIES AND THE PAST IS THE FOUNDATION ON WHICH ITS PRESENT AND FUTURE IS CONSTRUCTED !RTIST -IKE "ADGER WORKING WITH7OON +WUN #HAU ON HER MEMORY BLOCK CONTAINING THE 'REAT7ALL OF #HINA AT THE #HINESE %LDERLY ,UNCHEON #LUB 0HOTOGRAPHER *AMES $AVIES %NGLISH (ERITAGE ,EFT -EMORY BLOCK WORKSHOP AT9EMENI !RABIC #LUB WITH )BTISAM .ADA AND .AGLA 0HOTOGRAPHER *AMES $AVIES %NGLISH (ERITAGE 2IGHT 7AITHERA AGE WORKING ON HER BOX IN A MEMORY BLOCK WORKSHOP AT THE 'REENHOUSE -ULTICULTURAL !RTS 0ROJECT 0HOTOGRAPHER *AMES $AVIES %NGLISH (ERITAGE -EMORY BLOCK WORKSHOP WITH !SHANTI #ARIBBEAN 9OUTH 'ROUP 0HOTOGRAPHER *AMES $AVIES %NGLISH (ERITAGE
RkJQdWJsaXNoZXIy MjgyMjA=