Context 161 - September 2019

C O N T E X T 1 6 1 : S E P T E M B E R 2 0 1 9 61 Redevelopers and ruminants Boom Cities: architect-planners and the politics of urban renewal in 1960s Britain Otto Saumarez Smith, Oxford University Press, 2019, 198 pages, 31 black &white illustrations, ISBN 978 0 198836 40 7, £65 Otto Saumarez Smith, an assistant professor at the University of Warwick, recognises himself ‘as part of a generation born after the glory days of the welfare state which looks back on the physical remains of this vanished era with nostalgia for a lost idealism’. Boom Cities deals with a subject that has received an overwhelmingly negative press: the redevelopment of city centres in the 1960s, from the more balanced and nuanced perspective of a young scholar who was not there at the time. Saumarez Smith identifies 1963 (the year of publication of Traffic in Towns ,Wilfred Burns’ plan for Newcastle and Peter Hall’s vision of the London region in 2000) as a high point of city-centre redevelopment. It was a period of economic prosperity, optimism and an assumption that motor traffic could grow almost without limit. These were views shared across the political parties. Consultancies and local authorities employed the dual- qualified architect-planners who would reshape cities to reflect the 60s zeitgeist. Konrad Smigielski’s 1964 Leicester Traffic Plan rode this wave of positive energy.The plan, like Smigielski’s work in general, had much in it that was good, including an emphasis on public transport. But, with elements like a monorail system, it proved over-ambitious. Blackburn’s was one of the earliest and most radical redevelopment schemes, promoted by a public- private partnership. It covered six hectares of the city centre, separating traffic and pedestrians.The result was praised at the time by critics such as Ian Nairn, and Saumarez Smith finds Blackburn still worthy of respect. Graeme Shankland’s plans for Liverpool and Bolton followed; his unbuilt plan for Hook new town provided a model.The excitement generated by Shankland’s radical plan for Liverpool was not followed through and left large areas of dereliction.The plan for Bolton was more successful. The aristocratic Lionel Brett had a more incremental approach than Shankland in his plans for Hatfield new town and Portsmouth, and in his 1966 conservation study for York. By 1970 Brett had moved to advocating a restrained approach to redevelopment before his career took off in a different direction. Tracing the overall trajectory of city-centre redevelopment, Saumarez Smith quotes Richard Crossman, minister in the 1964 Labour government, admiring the rigorous geometry of Cumbernauld while privately suspecting that most people would prefer the kind of living environment offered by Welwyn Garden City. Crossman was also concerned about the contrast between ambitious drawings and poor quality in the corresponding built schemes. Saumarez Smith identifies a mismatch between schemes designed on the basis of an assumption of future affluence and the reality of cities like Stoke-on- Trent which were moving towards a post-industrial state. He ends the book with a useful plea for a holistic view of the post-1945 legacy, including ‘the shopping centre, the roads and the underpasses’.The story, he concludes, has ‘its share of both idealism and crassness’ and ‘doesn’t fit neatly into a polemic’. Older readers may find that the author’s portrayal of ‘architect- planners’ as urban power brokers does not quite ring true: in the reviewer’s memory these professionals were sometimes ruminative types who developed an interest in the then niche field of conservation. Academic publishing is clearly challenging but it is a pity that the price of the book may deter many who would find Boom Cities interesting and enjoyable.This is a brilliantly researched and very readable book. Michael Taylor is editorial coordinator for Context. Manifold interventions Old Buildings, New Architecture Richard Griffiths, 2019, 176 pages, 34 black &white and 323 colour illustrations, ISBN 978 1 527231 62 7, £30 (copies can be ordered online through www.rgarchitects.com) The London architect Richard Griffiths has published a book about the work of his firm since its foundation in 1993. It discusses and illustrates the practice’s manifold interventions to listed buildings; among them works on national treasures such as St Pancras Hotel, Lambeth Palace, and St Albans Abbey (one of two cathedrals, alongside Southwark Cathedral, where Griffiths was cathedral architect for many years). A number of his projects have received Civic Trust and RIBA awards and featured in the architectural press, but do not expect another example of vanity publishing. This monograph is about the stimulating environment of history, memory and the graceful process of ageing, about the art of adding a new layer to old buildings. It sums up the life experience of a designer who would not be pigeon- holed in the role of conservation architect. He reflects instead on his considerable range of contributions involving historic buildings, from